{"id":4,"date":"2017-02-09T10:42:06","date_gmt":"2017-02-09T10:42:06","guid":{"rendered":"http:\/\/maartenoverdijk.net\/wordpress\/?page_id=4"},"modified":"2026-03-29T10:53:00","modified_gmt":"2026-03-29T10:53:00","slug":"abc","status":"publish","type":"page","link":"http:\/\/maartenoverdijk.net\/","title":{"rendered":"Maarten Overdijk"},"content":{"rendered":"
\n

A<\/strong><\/h3>\n

Abstract myths<\/a>
\nNest
\n19.5_14.7.2013<\/p>\n

<\/p>\n

Agents and Artefacts<\/a>
\n6.2012<\/p>\n

<\/p>\n

<\/h3>\n

B<\/strong><\/h3>\n

Body|Building *<\/a> *<\/a> *<\/a> *<\/a>
\nD\u00fcrst Britt & Mayhew<\/a>
\n17.2_14.4.2018<\/p>\n

<\/p>\n

Brussels, Art 2015<\/a>
\n25_27.4.2015<\/p>\n

<\/h3>\n

C<\/strong><\/h3>\n

Circulation in Virtual Media Architecture
\nMedia Architecture Biennale<\/a>
\n28.3.2024<\/p>\n

Circulation and Narrative
\nInteractive Digital Storytelling<\/a>
\n11.11.2023<\/p>\n

Comenius Fellowship
\nIdeation in Mixed Reality<\/a>
\n2020 – 2021<\/p>\n

Context, De
\nMuseum Flehite<\/a>  *<\/a>
\n20.2_1.5.2016<\/p>\n

D<\/strong><\/h3>\n

<\/p>\n

Digitale kosmos uit balans
\nMetropolis M<\/a>
\n02_2026<\/p>\n

<\/p>\n

E<\/strong><\/h3>\n

Elastic Psychology of<\/a>
\nSeymour Fisher, <\/a>The <\/a>
\n17.2.2018<\/p>\n

ELIA Future Arts<\/a>
\n5.10.2021<\/p>\n

ELIA Future Arts<\/a>
\nFuture Imperfect
\n6.2.2023<\/p>\n

<\/p>\n

Expertisecentrum Creatieve Technologie HKU<\/a>
\n2019 – 2022\/2023 –<\/p>\n

F<\/strong><\/h3>\n

5-VEP<\/a>
\nOmstand
\n4.1_23.2.2020<\/p>\n

Pad Portal Plaats<\/a>
\nForum +
\n10_2024<\/p>\n

<\/h3>\n

<\/p>\n

H<\/strong><\/h3>\n

Hack-a-building<\/a>
\n12.2021<\/p>\n

Hey You (at 1646)
\nA conversation with Jack Segbars<\/a>
\n25.1.2013<\/p>\n

Hijacking Karma
\nOude Kerk, Amsterdam<\/a>
\n28.9.2013<\/p>\n

<\/p>\n

How to bring a technical artefact into use<\/a>
\nijCSCL
\n9.2014<\/p>\n

<\/h3>\n

I<\/strong><\/h3>\n

Inverse archeaology
\nJeanine Hofland<\/a>  
\n29.10_10.12.2011<\/p>\n

<\/p>\n

ICIDS<\/a>
\nKobe, Japan
\n11_15.11.23<\/p>\n

K<\/strong><\/h3>\n

Koninklijk Nederlands Instituut Rome<\/a>
\n1.2011<\/p>\n

<\/p>\n

Kunstraum D\u00fcsseldorf<\/a>
\nAusgew\u00e4hlte Positionen
\n29.1_28.2.2010<\/p>\n

<\/h3>\n

L<\/strong><\/h3>\n

Liste 17, Basel<\/a>
\n12_17.6.2012<\/p>\n

Liste 19, Basel<\/a> * <\/a>*<\/a>
\n17_22.6.2014<\/p>\n

<\/p><\/div><\/div>\n\n\n\n

<\/p>\n\n\n

\n

<\/h3>\n

M<\/strong><\/h3>\n

<\/p>\n

Media Architecture Biennale 23
\nMAB23<\/a>
\nToronto
\n21-23.6.23<\/p>\n

Metropolis M
\nPost-Scarcity of Escapisme?<\/a>
\n21.3.23<\/p>\n

Monuments and Mental maps
\nOase<\/a>
\n5.2017<\/p>\n

<\/p>\n

<\/h3>\n

N<\/strong><\/h3>\n

Narrating Urban Landscapes<\/a>
\nFaculty of Architecture, KU Leuven
\n19.10.2017<\/p>\n

<\/p>\n

Neutra’s Vector
\nFailed Architecture<\/a>
\n2.11.2015<\/p>\n

New Art<\/a> Section<\/a>
\nArt Rotterdam
\n6_10.2.2013<\/p>\n

<\/h3>\n

P<\/strong><\/h3>\n

Perceived height of furniture, The
\nWalden Affairs<\/a>
\n11.11_2.12.2012<\/p>\n

<\/p>\n

Post Post-CS
\nArchined<\/a>
\n12.10.2015<\/p>\n

<\/h3>\n

R<\/strong><\/h3>\n

Rijksakademie van Beeldende Kunsten<\/a>, Amsterdam  *<\/a>
\n27_28.11.2010<\/p>\n

S<\/strong><\/h3>\n

Sculpture in Bunker Garden, <\/a>Idea for<\/a>
\nArnhem
\n17.9_2018<\/p>\n

Spatial Narratives<\/a>
\nPostdoc Project
\n2022-2024<\/p>\n

Stedelijk Museum de Lakenhal<\/a>
\nLeiden
\n9_10.2013<\/p>\n

Strategic Link, Outsourcing
\nFailed Architecture<\/a>
\n22.11.2017<\/p>\n

Studio Omstand<\/a>
\n13.8_9.9.2018<\/p>\n

Sundaymorning@ekwc<\/a>
\n21.6_18.7.2018<\/p>\n

Sundaymorning@ekwc<\/a>
\n10_12.2013<\/p>\n

Surveyor<\/a>  *<\/a>
\nNieuwe Vide
\n12.1_24.2.2013<\/p>\n

T<\/strong><\/h3>\n

Theoretical investigations<\/a>
\n8_2021<\/p>\n

Trial blank, printer’s proof<\/a>
\nJeanine Hofland, Amsterdam
\n6.9_11.10.2014<\/p>\n

W<\/strong><\/h3>\n

Ways of moving into something different<\/a>
\nRijksakademie van Beeldende Kunsten, Amsterdam
\n5.6_19.6.2011<\/p>\n

<\/p><\/div><\/div>

<\/div>\n\n\n\n\n\n\n\n

Bewaren<\/span><\/p>\n\n\n\n

Bewaren<\/span><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/pages\/4"}],"collection":[{"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4"}],"version-history":[{"count":517,"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":761,"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions\/761"}],"wp:attachment":[{"href":"http:\/\/maartenoverdijk.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}